Tuesday, May 28, 2019
W.S. Merwin as an Influential Writer of Poetry and Prose :: W.S. Merwin Essays
W.S. Merwin as an Influential Writer of Poetry and Prose Emergence At the days endall our footsteps are added upto see how near.W.S. MerwinW.S. Merwin is an award-winning root of a wide variety of both poetry and prose books. He has served as a tremendous influence to me and has helped guide me along my writing journey. He inspires my silk hat writing and has helped to shape my stylistics. I seek to follow in the footsteps of perhaps one of the most well known and popular poets of this century.W.S. Merwin was born in unused York City in 1927 and grew up in Union City, New Jersey, as well as Scranton, Pennsylvania (Merwin, Selected 279). From 1949 to 1951, Merwin was a world traveler, as he worked as a tutor in Portugal, France, and Majorca (Merwin, Selected 279). In addition to writing poetry, Merwin also wrote articles for The Nation as well as radio scripts for the BBC (Merwin, Selected 279). One of his most known poetry books, The Carrier of Ladders, won the Pulitzer Prize in 1970 (Merwin, Selected 279). In addition to his books of poetry, he published three books of prose The Miners Pale Children, Houses and Travelers, and Unframed Originals. Merwin received many heavy(p) awards in his career including The Fellowship of the Academy of American Poets in 1974, and the Governors Award for Literature of the State of Hawaii (Merwin, Selected 279). Merwins writing style is unique from many different professional writers. Merwin has been committed faithfully to the energies of fragmentation, erasure, and all those energies we identify as negative (Boston Review 1). Because Merwin is able to use this technique so effectively, I sweat to follow in his footsteps and try some of it out on my own. Rick Jones and I used this idea in our collaborative poem, pierced existence, in which we did non use proper capitalization or follow some of the most basic rules English rules. When I write in this style, I feel more(prenominal) relaxed because I do not have to be c oncerned with grammar and spelling. I am better able to concentrate on imagery and the use of words. Merwins luxurious control of lyric syntax and narrative order give the reader no difficulty they are able to understand his work since it flows free from hold (Boston Review 1). The consistency, the inclusive and transforming vitality of the work makes it the crowning achievement of Merwins long and extremely diversified career (Boston Review 1).
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