Tuesday, May 28, 2019

W.S. Merwin as an Influential Writer of Poetry and Prose :: W.S. Merwin Essays

W.S. Merwin as an Influential Writer of Poetry and Prose Emergence At the days revokeall our footsteps are added upto see how near.W.S. MerwinW.S. Merwin is an award-winning author of a wide variety of both poetry and prose books. He has served as a grand influence to me and has helped guide me along my writing journey. He inspires my best writing and has helped to shape my stylistics. I seek to follow in the footsteps of perhaps one of the around well known and popular poets of this century.W.S. Merwin was born in New York City in 1927 and grew up in Union City, New Jersey, as well as Scranton, Pennsylvania (Merwin, Selected 279). From 1949 to 1951, Merwin was a world traveler, as he worked as a tutor in Portugal, France, and Majorca (Merwin, Selected 279). In addition to writing poetry, Merwin also wrote articles for The Nation as well as radio scripts for the BBC (Merwin, Selected 279). One of his most famous poetry books, The Carrier of Ladders, won the Pulitzer Prize in 1970 (Merwin, Selected 279). In addition to his books of poetry, he make three books of prose The Miners Pale Children, Houses and Travelers, and Unframed Originals. Merwin received many outstanding awards in his career including The Fellowship of the Academy of American Poets in 1974, and the Governors Award for Literature of the enunciate of Hawaii (Merwin, Selected 279). Merwins writing style is unique from many other professional writers. Merwin has been committed faithfully to the energies of fragmentation, erasure, and all those energies we identify as negative (Boston critical review 1). Because Merwin is able to use this technique so effectively, I attempt to follow in his footsteps and try some of it out on my own. Rick Jones and I utilise this idea in our collaborative poem, pierced existence, in which we did not use proper capitalization or follow some of the most basic rules position rules. When I write in this style, I feel more relaxed because I do not have to be conce rned with grammar and spelling. I am interrupt able to concentrate on imagery and the use of words. Merwins magisterial control of lyric syntax and narrative order give the reader no fuss they are able to understand his work since it flows free from form (Boston Review 1). The consistency, the inclusive and transforming vitality of the work makes it the crowning achievement of Merwins long and passing diversified career (Boston Review 1).

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